PEER-REVIEWED
“‘Too Thick Love, or Bearing the Unbearable,” in Gregory J. Seigworth and Carolyn Pedwell (eds.), The Affect Theory Reader 2: Worldings, Tensions, Futures (Durham: Duke University Press, 2023), 191-213.
“On Black Aesthesis,” Diacritics, A Review of Contemporary Criticism, “Black Resistance,” Volume 49, Number 4, 2021, pp. 21-53.
“Explorations in Diasporic Time,” in Erika Balsom, Lucy Reynolds and Sarah Perks (eds.), Artists’ Moving Image in Britain Since 1989 (New Haven: Yale University Press, 2019), 71-88.
*Longlisted for the 2020 Kraszna-Krausz Photography Moving Image Book Award*
“Black Cinematic Gesture and the Aesthetics of Contagion.” TDR: The Drama Review, vol. 62, no. 1 (2018): 14-30
*Winner of the 2019 Gertrude Lippincott Award for Best English-language Article in Dance Studies*
“Vestiges of Motherhood: The Maternal Function in Recent Black Cinema.” Film Quarterly, vol. 71, no. 2 (2017): 46-52.
“Living in the Absence of a Body.” Rhizomes: Cultural Studies in Emerging Knowledge, "Black Holes: Afro-Pessimism, Blackness and the Discourses of Modernity," no. 28 (2016).
“Poethics of the Open Boat.” AcceSSions: Center for Curatorial Studies, Bard College, no. 2 (2016).
(In Response to Denise Ferreira da Silva.)
“Reinventing Capacity.” Black Camera: An International Film Journal, “Fugitivity and the Filmic Imagination,” vol. 7 no. 1 (2015): 162-78.
“Awakening to the World: Relation, Totality, and Writing from Below.” Discourse: Journal for Theoretical Studies in Media and Culture, vol. 36, no. 1 (2014): 112-31.
“Transferred Flesh: Reflections on Senga Nengudi’s R.S.V.P.” TDR: The Drama Review, vol. 59, no. 1 (2015): 161-66.
“Introduction: Other Sensualities.” Women and Performance: A Journal of Feminist Theory, “The Haptic: Textures of Performance,” vol. 24, no. 2-3 (2014): 129-33.
“An Interview with Artist Pope. L.” Women and Performance: A Journal of Feminist Theory, “The Haptic: Textures of Performance,” vol. 24, no. 2-3 (2014)" 220-23.
CRITICISM
